Floating paper is a graphic design studio based in Korea.
We explore the boundless potential of graphics and exciting new forms of visual expression.

Graphic design for ALTIMEETS

사단법인 무용단알티밋의 ＜8th Altimeets-존재를 움직이는 힘＞공연을 위한 포스터 및 홍보물 디자인했습니다. 세부 내용은 곧 업로드됩니다.

Graphic design. Kyeongah Ko (Floating paper)
Client. ALTIMEETS

Visual identity for THE SEED Corp.

세부 내용은 곧 업로드됩니다.

Visual design. Kyeongah Ko (Floating paper)
Client. THE SEED Corporation

Visual identity for 24KR ZONE

세부 내용은 곧 업로드됩니다.

Visual design. Kyeongah Ko (Floating paper)
Management. Wooseok And Associates
Client. Confidential

Visual identity for Solhm

세부 내용은 곧 업로드됩니다.

Naming & Visual design. Kyeongah Ko (Floating paper)
Client. Team Solhm

Graphic design for Adobe Korea

세부 내용은 곧 업로드됩니다.

Graphic design. Kyeongah Ko (Floating paper)
Management. Bubbleshare
Client. Adobe Korea

Packaging for IoT pet devices

We designed packaging for Telepodsee, IoT pet device brand. Our goals were to create a friendly, approachable look—unlike typical tech brands—and to develop a cost-effective structure for three product configurations.

Package design. Kyeongah Ko (Floating paper)
Client. Team telepodsee (Carrot insurance)
Photography. Little things matter

‘New, Now, Next’ Scheduler 2026

The ‘New, Now, Next Scheduler’ is an upcycling project using paper scraps from my graphic design work. You’ll find unique color combinations in every detail—from the die-cut covers to the pages and coils. I randomly mixed these colors, hoping to make your daily logging something to look forward to.

Eulsa-nyeon Calendar 2025

In East Asia’s sixty-year cycle, 2025 is known as the Year of the Blue Snake, Eulsa-nyeon (乙巳年). This work interprets the snake’s fluid, shifting form through typography —letters made from beads, reflecting its curves and patterns.

Packaging for Moonbag

패키지부터 원단 제작까지 지속적으로 활용할 수 있는 브랜딩 요소가 필요했어요. 다양한 크기와 배색으로 확장할 수 있는 그래픽 패턴을 개발했습니다. ‘쓰임 있는 공예’의 가치를 담고, 제품의 모티프가 된 단청을 현대적으로 재해석했어요. 광택감 있는 원단의 제품과 대비되는 백색 비도공지를 선택하고, 패턴에 금별색을 넣어 빛의 각도에 따라 은은하게 광택이 돌아요. 슬리브에는 부분 형압을 넣어 패턴의 일부를 시각/촉각적으로 강조했습니다.

Package design. Kyeongah Ko (Floating paper)
Management. 000gan
Client. THESON

Packaging for Walnut Scrub Bar

첫미팅에서 들었던 대표님의 관점과 개발 히스토리가 정말 재밌었어요. 아토피인 저는 바디스크럽에 꽤 진심인데, 이 제품은 샤워와 스크럽을 일상적으로 함께한다는 점이 좋더라고요. 스크럽을 몸에 대한 각성으로 대하는 관점과 호두 껍질 원료를 중점에 두고 디자인했어요. 추후 나올 제품에도 쉽게 적용할 수 있는 디자인 베리에이션도 고려했습니다. 대표님과 매주 디벨롭하며 솔티앤스윗의 첫인상을 만들어가는 보람이 컸던 프로젝트였습니다.

Package design. Kyeongah Ko (Floating paper)
Client. SALTY AND SWEET

Brand symbol, packaging for FRONTROW

We developed a new symbol for embroidery and hardware to strengthen the brand identity. Additionally, our seasonal packaging expanded the brand experience by blending collaboration colors with FRONTROW's signature classic mood.

Brand design. Kyeongah Ko
Management & Photography. W CONCEPT Korea

Visual identity, packaging for frrw

We designed the visual identity for frrw, FRONTROW’s contemporary casual second label. We highlighted their focus on premium denim using a casual logotype and signature brand colors.

Brand design. Kyeongah Ko
Management & Photography. W CONCEPT Korea

Graphic design for Diary&Calendar

세부 내용은 곧 업로드됩니다.

Graphic design. Kyeongah Ko
Management. Carrot general insurance

Visual identity for Fine Artist

세부 내용은 곧 업로드됩니다.

Visual design. Kyeongah Ko (Floating paper)
Client. Michelle Yunjeong

A Midsummer Holiday Edition

Through the busy days of this summer, I found comfort in waiting for the excitement of the holidays. Holiday tunes in midsummer—an experience that is unfamiliar, yet strangely familiar.

Type to Beads

This graphic poster visualizes a New Year's resolution: 'To spend this year flowing gently like water.' Rather than functioning as readable typography, the spaces within the letters are intentionally divided and transformed into graphics that incorporate the colors and textures of glass beads.

Brand design for Carrot general insurance

This project involved building the brand identity for Carrot, Korea's first digital general insurance company. We developed diverse visual assets, from product logotypes and UI graphics to character strategies, effectively establishing an easy and friendly brand image.

Brand design. Kyeongah Ko
Management. Carrot general insurance

Visual identity for HAROOFIT

HAROOFIT’s visual identity aims to capture a friendly, everyday atmosphere, moving away from the intense aesthetics of traditional gyms. The symbol, 'Barbell H,' features an asymmetrical design that combines the initial 'H' with a barbell. This concept extends into pixel and checkerboard patterns, visualizing how consistent daily workouts accumulate to build a solid foundation.

Visual identity design. Kyeongah Ko (Floating paper)
Client. HAROOFIT

Activity book for children's art class

We planned and designed an activity book for a children's art class under the concept of an 'Art Expedition.' The book weaves five artworks into a cohesive story, encouraging children to use their five senses to document their own creative journey. The final section features a custom art map of the Seolhaeone Clubhouse, guiding users to explore the artworks while experiencing the unique atmosphere of the space.

Design. Kyeongah Ko (Floating paper)
Editor. Yuna Oh
Management. 000gan
Client. Seolhaeone

Visual identity for WSNA

The visual identity for spatial design agency WSNA on its core value: 'Relationships.' The geometric typography, derived from a grid system within equal areas, is designed to evoke a distinct human touch. The business cards feature a slot structure where different notches interlock to create a new, unified whole.

Visual identity design. Kyeongah Ko (Floating paper)
Client. WSNA (WOOSEOK AND ASSOCIATES)

Graphic design for picnic mat

Designed a picnic mat featuring friendly illustrations of the company’s diverse products. We used 6 spot colors to convey a vibrant and lively brand image.

Graphic design. Kyeongah Ko (Floating paper)
Client. Confidential (Printing & Manufacturing)

Catalog design for SEOUL MY SOUL SHOP

We designed 'Seoul My Soul Shop' a catalog of Seoul Brand Goods published by SEOUL TOURISM ORGANIZATION. You can see 141 Seoul brand goods divided into three chapters at a glance. As the hierarchy of information is diverse, the intuitive layout is composed, and the brand color of Seoul My Soul and the key visuals provided by SEOUL TOURISM ORGANIZATION are used to change the composition.

Editorial design. Kyeongah Ko (Floating paper)
Client. SEOUL TOURISM ORGANIZATION
Management. 000gan

Editorial design for Living Sense

We executed the editorial design for Living Sense, a premier interior and lifestyle magazine. Our focus was on creating layouts that accentuate the themes of feature articles while effectively showcasing the people, spaces, and products within them.

Editorial design. Kyeongah Ko (Floating paper)
Management, Art direction. Jongwon Choi (CHUIGRAF)
Client. Livingsense

Graphic design for Pop-up store

We designed the graphics for the Brute Pizza pop-up store. The visuals actively incorporate the brand's existing assets, focusing on its signature color and typography combinations.

Graphic design. Kyeongah Ko
Client. BRUT PIZZA

From type to patterns

The word 'Camouflage' is distorted into an illegible pattern, transforming text into raw graphic material. The unique texture was created by layering papers in complementary colors, contrasting with typical camouflage tones.

Floating office

A poster for Floating Paper’s office. It visualizes our limitless potential through objects floating in space, symbolizing that we can become anything.

June 3 —The Day of the Election

Korean election posters often follow a rigid pattern, relying solely on candidates' faces and party colors. This work breaks that mold to visualize Election Day with joy and optimism. Using balloons and typography, the design captures a hopeful vision for what lies ahead.

Direction, Tempo, Depth

세부 내용은 곧 업로드됩니다.

Workbook design for Kid’s art class

세부 내용은 곧 업로드됩니다.

Editorial design. Kyeongah Ko (Floating paper)
Editor. Yuna Oh
Management. 000gan
Client. Seolhaewon

Dreaming Letters

A poster promoting a workshop on experimental typography.
The unfinished, "dreaming" letters are expressed through hand-stitching on felt. Photographed and recolored, the work captures a surreal, dreamlike mood beyond reality.