✅ Newtake 매일 100크레딧 받기(클릭)
- 영상 최신 모델 Seedance 2.5 제공
- 이미지 모델 GPT image 2.5, Midjourney v8.1, Nano banana Pro 비교하며 사용 가능
📢 공지 사항
- Newtake의 이미지/영상 생성으로 패키지 아트웍, 목업, 영상까지 만드는 과정입니다.
- 실제로 필요한 수정 범위와 횟수는 사람마다 다를 수 있습니다.
- 이미지/영상 모델이나 버전이 달라지면 프롬프트가 제대로 작동하지 않을 수 있어요. (한 번씩 괜히 다른 모델로 돌려보면 훨씬 괜찮은 경우도 있긴 해요.
- 프롬프트에서 지칭하는 ‘the provided reference image’는 직전 단계에서 생성한 이미지입니다. Newtake 캔버스에서 만들 때는 꼭 노드로 연결해야 일관성이 유지됩니다.
🎨 GPT image 2.5 Pro 생성 후
🎨 Newtake 캔버스 기능으로 편집
Flat lay, camera directly above, strict top-down 90-degree view of three whole raw chestnuts lying flat on a pure white seamless background, vertical 9:16. The three chestnuts form one small, loose group near the center of the frame, arranged slightly vertically within the middle third of the frame height. They sit close but not touching: one gap is about a quarter of a chestnut's width, the other about half, so the spacing feels casual and uneven. Their tips point toward different edges of the frame: one toward the top edge, one toward the right edge, one toward the lower left corner. Slightly different sizes. Shells fully intact with no cracks, glossy mahogany brown with fine stripes and a pale matte base. Single hard side light with crisp highlights and short, defined shadows on the white surface. Shot on 35mm Kodak Ektar 100 film, natural grain, neutral-cool tone. No side view, no perspective, no wide gaps, no even spacing, no yellow tint, no vignetting.
🎨 GPT image 2.5 Pro
Edit the provided reference image. Keep the white background, the top-down camera and the light direction. Change the material and making of the four objects.
Keep the four objects roughly where they are in the reference. Each may drift a little, grow or shrink as its material naturally behaves.
PALETTE: use only these colors on the objects: black cherry #591C24, burnt terracotta #AA4F34, harvest gold #C89637, avocado olive #697046, dark walnut #4A3226, warm cream #E8D7B9. Each object takes a different main color: black cherry, harvest gold, avocado olive or burnt terracotta, with the peeled chestnut in harvest gold. Dark walnut and warm cream appear only as accents. No other hues: no blue, pink, purple, aqua or neon.
MATERIAL: each chestnut becomes a different handmade fiber object made by a beginner, keeping a lumpy chestnut silhouette:
- stockinette knit with a few short yarn tufts poked through
- needle-felted wool with soft uneven ridges that follow the wrinkles of the peeled chestnut
- granny-square crochet patchwork sewn together with thick thread
- chunky garter stitch with short hand-cut fringe at the base
Mixed yarns (mohair, bouclé, chenille, cotton, scratchy wool), stitch size changing within one object, uneven stuffing with dents and puckers, crooked seams in a contrasting palette color, dropped stitches, loose tails and knots, a few unraveling loops.
CAMERA AND MOOD: strict top-down view, vertical 9:16, pure white seamless background with no yellow or cream cast, no vignetting. Dreamy fashion editorial object photography, shot on 35mm Kodak Ektar 100 film, natural film grain, soft glow on highlights, center sharpest.
Avoid: identical technique on all four, matching pom-pom balls, perfect shapes, tidy stitching, real chestnut shell remaining, plastic sheen, digital sharpening, HDR, yellow tint.
🎨 Midjourney V8.1
스타일화 100, 기괴함 50, 다양성 10
Full-bleed flat 2D graphic of the four chestnuts in the reference, same outlines and layout. Each pieced from flat patches with V stitch, X and flower motifs. Background fully filled with patchwork of the same motifs, lighter. Colors only black cherry, burnt terracotta, harvest gold, avocado olive, dark walnut, warm cream. Flat digital style, crisp edges, no texture, no shading, no 3D, no text.
🎨 GPT image 2.5 Pro
Edit the provided image. Keep the four knitted chestnuts exactly as they are: same position, size, shape, colors and stitch details. Do not move, redraw or restyle them.Extend the patchwork background from the top of the image so it fills the entire frame edge to edge, replacing all of the white area in the lower part. Continue the same grid of square knit patches with the same stitch texture, X and flower cross-stitch motifs, cream stitched seams and color mix, so the top and bottom read as one continuous patchwork with no visible join. Vary patch colors and motifs naturally so the pattern never repeats exactly.
Remove the soft grey shadows under the lower chestnuts so all four sit on the patchwork the same way as the top two.
Colors only black cherry, burnt terracotta, harvest gold, avocado olive, dark walnut and warm cream. Keep the same illustrated look as the top of the image, no photo realism, no 3D lighting, no text.
🎨 GPT image 2.5 Pro
Edit the provided image. Replace only the bottom glass jar, including its lid, with a plain white paper box sized to hold that jar. Everything else stays exactly as it is: the steel can and the top jar keep the same position, size, tilt and balance, and the camera, lens, framing, white background, floor and light do not change.
BOX SIZE AND POSITION, highest priority: the box is the snug outer carton for the jar, just slightly larger than the jar on every side. It takes the jar's place: its bottom sits on the same floor line at about 92 percent of the frame height, its sides span about 21 to 76 percent of the frame width, slightly wider than the jar's glass, and its flat top is at the height of the jar's lid top, about 62 percent of the frame height. It is close to a cube, about as tall as it is wide, with a square footprint. The can still rests on the box's top edge exactly where it rested on the jar lid, overhanging to the left in the same way.
BOX: a folding carton made of thick matte white uncoated paperboard, completely unprinted, no text, no logo. A tuck-in flap closes the top, with crisp folded edges, slightly softened corners, a faint paper fiber texture and a few tiny real-world imperfections like a light crease near one corner. The box stands flat and stable on the floor, front face facing the camera, turned only a few degrees so a thin strip of its right side is visible.
LIGHT: the same single hard light from the upper left. The front face is bright white, the right side falls into soft grey shadow, the top edge catches a thin highlight, and the box casts a soft shadow to the right on the floor, so the white box reads clearly against the white background. The can casts a light contact shadow on the box top.
Avoid: any glass, lid, chestnuts or syrup left at the bottom, a box much larger or smaller than the jar, a tall or flat box, printed graphics or text, glossy or plastic finish, a box blending into the background with no visible edges, moving the can or the top jar, any change to the background or light.
🎨 GPT image 2.5 Pro
image 1: 병 단독컷, image 2: 병 라벨
Use image 1, the photo of a single glass jar of chestnuts, as the base. Apply image 2, the olive green and dark red "aram" label with a woven herringbone texture, as a printed paper label on the front of the jar.LOCKED: everything in image 1 stays exactly as it is. The jar, lid, chestnuts, syrup, camera, framing, background, floor, light, shadow and reflection. Do not move, resize or redraw the jar.
LABEL DESIGN IS FIXED: reproduce image 2 exactly as given. Same layout, letterforms, colors, herringbone texture and proportions. Do not redraw, simplify, recolor or add anything.
LABEL OUTLINE: the label is not a rectangle. It is die-cut to the exact silhouette of image 2: all four edges are irregular, hand-torn and wavy, with small uneven bumps, dips and slightly slanted corners. Clear glass shows right up to that uneven edge.
EXACT TEXT, copy letter by letter from image 2:
Line 1: Bonui Chestnuts
Line 2: aram
Line 3: 아람보늬밤조림 (seven Korean syllables: 아, 람, 보, 늬, 밤, 조, 림. The fourth syllable is 늬, written ㄴ with ㅢ. It is never 뇌, 뉘 or 니.)
Line 4: 밤(국내산) 60% | 300 g (720 kcal)
Keep the Korean letter spacing, weight and size exactly as in image 2.
LABEL SIZE, highest priority: a small sticker, about half the jar's width. In real-world scale the jar is about 10 cm wide and the label about 5 cm wide and 3 cm tall. In the frame, the label spans about 30 to 70 percent of the frame width. Wide bands of clear glass, syrup and chestnuts show on both sides, each about a quarter of the jar width. Keep image 2's aspect ratio, 1.7 times as wide as it is tall, never stretched.
LABEL POSITION, highest priority: horizontally centered on the jar. Vertically at the optical center of the glass body, slightly above its true middle, spanning about 48 to 62 percent of the frame height. The band of glass and chestnuts below the label is a little taller than the band above it, and the label sits well below the neck under the lid.
REALISM: matte uncoated paper following the gentle curve of the glass, soft shading toward the curved sides, a thin highlight from the same light from the upper left crossing the label, the label sitting flat with no wrinkles, the paper edge catching a faint line of light along its wavy outline.
Avoid: a large label, a label wider than half the jar, a label sitting low on the jar, more glass above the label than below it, a rectangular label, 보뇌 or any changed Korean syllable, misspelled or extra text, any change to the jar, chestnuts, background or light.
🎨 GPT image 2.5 Pro
Image 1: 백색 박스 목업, Image 2: 전개도 앞면, Image 3: 전개도 윗면
Use image 1, the photo of a plain white paper box, as the base. Print image 2 on the front face of the box and image 3 on the top face, so it looks like a real printed paper carton.
LOCKED: everything in image 1 stays exactly as it is. The box's shape, size, position, edges, tuck flap, camera angle, framing, white background, floor, light, shadow and reflection. Do not move, resize or redraw the box.
FRONT FACE, highest priority: image 2 is the complete front panel artwork. It fills the entire front face of the box, edge to edge, at its full size, with nothing added above or below it. The large olive knitted chestnut fills most of the front, and the white "Bonui Chestnuts" and "aram" text sits on it at the same position as in image 2, around the middle of the front face. Do not shrink, stretch, crop or shift image 2, and do not place any other artwork on the front.
TOP FACE: only the thin visible strip of the box top shows image 3, the edge of it that meets the front fold, so the patchwork continues across the fold. The black cherry chestnut from image 3 appears only on the top face, never on the front.
EXACT TEXT, copy letter by letter from image 2, in the same white color, font, size and position:
Bonui Chestnuts
aram
No other text.
ARTWORK DESIGN IS FIXED: reproduce image 2 and image 3 exactly. Do not redraw, recolor, simplify or add anything.
PRINT REALISM: printed directly on matte uncoated white paperboard, faint paper fiber texture, colors slightly softer than on screen. A crisp, slightly rounded fold edge where the front meets the top, with a hairline of white paperboard at the fold. The same light from the upper left as in image 1, the same soft shadow and faint floor reflection.
Avoid: the black cherry chestnut or any top panel artwork on the front face, a shrunken front panel, the logo in the lower part of the box, two panels stacked on the front, changed or misspelled text, glossy finish, a sticker look, any change to the box shape, background or light.
🎨 GPT image 2.5 Pro
image 1: 캔 단독컷, image 2: 캔 라벨Use image 1, the photo of a single steel can, as the base. Apply image 2, the "aram" label with a cream text panel over a knitted patchwork background, as a printed paper label wrapped around the side wall of the can.
LOCKED: everything in image 1 stays exactly as it is. The can's shape, size, position, rims, ring-pull lid, camera, framing, background, floor, light, shadow and reflection. Do not move, resize or redraw the can.
LABEL DESIGN IS FIXED: reproduce image 2 exactly as given. Same layout, letterforms, colors, patchwork pattern and proportions. Do not redraw, simplify, recolor or add anything. The cream text panel keeps its wavy, hand-cut edges.
EXACT TEXT, copy letter by letter from image 2:
Line 1: Bonui Chestnuts
Line 2: aram
Line 3: 아람보늬밤조림 (seven Korean syllables: 아, 람, 보, 늬, 밤, 조, 림. The fourth syllable is 늬, written ㄴ with ㅢ. It is never 뇌, 뉘 or 니.)
Line 4: 밤(국내산) 60% | 300 g (720 kcal)
Keep the Korean letter spacing, weight and size exactly as in image 2.
LABEL FIT, highest priority: the label covers the whole side wall between the top rim and the bottom rim, with the thin metal rims still visible above and below it and no bare metal band between the label and either rim. Keep the label's original aspect ratio, never stretched or squashed.
VERTICAL CENTERING, highest priority: the vertical center of the label sits exactly at the vertical center of the can's side wall, midway between the top rim and the bottom rim. The cream text panel is centered on the can both horizontally and vertically, with equal patchwork visible above and below it. If the label is taller than the side wall, it is trimmed equally at the top and at the bottom: the same amount of patchwork is cut off at the top rim as at the bottom rim. The trim lines pass only through the patchwork, never through the cream panel or any text. The whole cream panel with all four lines of text stays fully visible.
WRAP AND REALISM: the label follows the cylinder, so the patchwork and the cream panel compress slightly toward the left and right edges of the can, and the left and right ends wrap around out of view, the patchwork continuing seamlessly. Matte uncoated paper with soft shading toward the curved sides. The same light from the upper left makes a soft, wide vertical highlight on the paper, much softer than the original metal highlight. The label sits tight and flat with no wrinkles, a hairline paper edge where it meets the rims.
Avoid: a label trimmed only at the bottom or only at the top, a cream panel shifted up or down, any text cut off, bare metal between the label and the rims, a stretched or squashed label, changed or misspelled text, 보뇌 or any changed Korean syllable, glossy plastic finish, any change to the can shape, background or light.
🎨 GPT image 2.5 Pro
image 1: 병 라벨 합성 결과
image 2: 캔 라벨 합성 결과
image
3: 박스 그래픽 합성 결과
image
4: 라벨 없는 백색 박스·캔·병 스택 목업(구도·카메라·조명·배경 기준)
Use image 4, the photo of a white box, a steel can and a glass jar stacked in a leaning tower, as the base for composition, camera, framing, scale, light and background. Replace each of the three packages with its finished, labeled version from image 1, image 2 and image 3. The designs from image 1, image 2 and image 3 are fixed and must not change in any way.COMPOSITION, from image 4: keep the stack exactly as in image 4. The box at the bottom, the can resting on the box at the same diagonal tilt, and the jar balanced on the can at the same tilt. Same positions, same sizes relative to each other and to the frame, same overlaps and contact points, same vertical 9:16 framing, white seamless background, floor, light from the upper left, shadows and reflections.
BOTTOM, THE BOX from image 3: the box is turned to face the camera straight on, exactly like image 3, showing only its printed front face and a thin strip of its top, with almost no side face visible. It keeps the same size and floor position as the box in image 4. Its front shows the artwork of image 3 exactly: the olive knitted chestnut, the knitted patchwork and the white "Bonui Chestnuts" and "aram" text, centered on the front face. Same matte paperboard and soft fold edges as image 3.
MIDDLE, THE CAN from image 2: the same can as image 2, with the same patchwork label, cream text panel and terracotta band, placed at the tilt and position of the can in image 4. The label wraps the tilted cylinder, the cream panel faces the camera, and the bare steel lid with the ring pull shows on top as in image 4. The can rests on the box's top edge where it does in image 4.
TOP, THE JAR from image 1: the same jar as image 1, with the same earthy brown lid, the same dark, firm chestnuts in dark syrup, and the same olive and dark red herringbone label with wavy die-cut edges, placed at the tilt and position of the jar in image 4. The label stays centered on the jar's front face, at the same small size relative to the jar as in image 1, and tilts with the jar.
DESIGN IS FIXED: reproduce every label, artwork, color, texture and proportion from image 1, image 2 and image 3 exactly. Do not redraw, simplify, recolor, resize or rearrange any design element. The only change to each package is its position and tilt in the stack.
EXACT TEXT, copy letter by letter from the source images:
Jar and can: Bonui Chestnuts / aram / 아람보늬밤조림 / 밤(국내산) 60% | 300 g (720 kcal)
Box: Bonui Chestnuts / aram
아람보늬밤조림 has seven syllables: 아, 람, 보, 늬, 밤, 조, 림. The fourth syllable is 늬, written ㄴ with ㅢ, never 뇌, 뉘 or 니.
REALISM: each package keeps its own material from its source image: clear glass with dark chestnuts, matte paper label on steel, matte printed paperboard box. The light from the upper left falls consistently across all three, with soft contact shadows where the can meets the box and the jar meets the can.
Avoid: a box rotated to show its side face, any change to the label or box designs, lighter or softer chestnuts, a taupe or different lid on the jar, changed or misspelled text, 보뇌 or any changed Korean syllable, packages changing size or position from image 4, a wider or taller frame, any change to the background or light.
🎨 GPT image 2.5 Pro
Edit the provided image: a printed paper box at the bottom, a labeled steel can tilted on top of it, and a labeled glass jar of chestnuts balanced on top. Rebuild the background, light and photographic mood around them. The packages stay as they are.
PRODUCTS ARE LOCKED: keep the three packages exactly as they are. Same shapes, proportions, stacking, tilts and overlaps. The box stays nearly a cube, seen straight on from the front, not wider, flatter or rotated. Every label, artwork, color, letter and Korean character stays identical, including 아람보늬밤조림. Do not redraw, retype, restyle or resize any package relative to the others.
FRAMING, highest priority, much wider negative space: extend the canvas outward on all four sides, as if the camera pulled far back. The whole stack becomes small in the frame: it fills only about 40 percent of the frame height and about 35 percent of the frame width, centered horizontally. Above the jar lid there is a large empty dark area, about one third of the frame height. On the left and right of the stack, wide empty dark space. Below the box, a deep band of glowing floor, about one fifth of the frame height. Vertical 9:16. Nothing touches or comes near the frame edges.
BACKGROUND: a seamless studio sweep with no horizon line. Deep dark olive that fades into near-black at the top, melting into a softly glowing pale olive floor at the bottom. Completely out of focus, soft and atmospheric.
ONE LIGHT FOR EVERYTHING, so the products belong to the scene: the same large, soft, diffused light that makes the floor glow is the only light on the packages. It comes from above and slightly behind, so the packages are lit gently on their tops and edges and fall softly into shadow toward the front and the lower parts. The glowing olive floor bounces a faint green-gold light up onto the bottom of the box and the underside of the can. The dark olive surroundings tint the shadows on the packages and reflect softly in the steel can and the jar glass. A thin, soft rim light separates the stack from the dark background. The jar's syrup glows warmly from the backlight, but no brighter than the floor. The box casts a soft, diffused shadow and a blurred reflection on the floor. Brightness and contrast on the packages match the background: no package looks lit separately, pasted on or brighter than its surroundings.
REAL MATERIAL TEXTURE, sharp and tactile on every package:
Box: premium uncoated paperboard with visible fine paper fibers and a slightly toothy matte surface, ink soaked into the fibers, crisp folded edges with a hairline of bare white board showing at the corners, faint tuck flap lines on top.
Can: brushed steel with fine directional brush lines, tiny scratches and a few fingerprint smudges on the lid, rolled rims catching soft light; the paper label is matte with fine fiber texture and a thin visible seam edge.
Jar: real glass with faint mold seam lines, tiny air bubbles in the glass and syrup, a few fingerprints and dust specks catching the light; the brown lid is matte with a fine grainy texture; the jar label shows its woven herringbone paper texture and the thickness of its hand-torn die-cut edge.
TEXT IS SACRED, highest priority: keep every label from the provided image pixel for pixel, as if the label areas were pasted in unchanged. All letters stay crisp, clean and fully readable, with the same font, weight, spacing and size. Never redraw, reinterpret, blur, melt or smear any letter.
Box front: Bonui Chestnuts / aram
Can label and jar label, each four lines:
Line 1: Bonui Chestnuts
Line 2: aram
Line 3: 아람보늬밤조림 (seven Korean syllables: 아, 람, 보, 늬, 밤, 조, 림. The fourth syllable is 늬, written ㄴ with ㅢ. It is never 뇌, 뉘 or 니.)
Line 4: 밤(국내산) 60% | 300 g (720 kcal) (국내산 is three syllables: 국, 내, 산.)
EMOTIONAL FOCUS: shot on a 35mm analog film camera with an 85mm lens at f/2.8. All three labels and the box front are inside the focus plane and stay sharp. The softness comes only from the background, the floor in front, the far side of the jar lid and the outer edges of the packages, which melt gently into the blur.
ANALOG FILM LOOK, clearly visible: scanned Kodak Portra 400 negative, pushed one stop. Real, visible film grain over the entire image, on the background, the floor and the packages alike: coarse and clumpy in the dark background and shadows, finer in the midtones and highlights, fine enough on the labels that letter edges stay crisp. Slight color noise in the deep shadows, soft halation around the brightest highlights, slightly lifted velvety blacks, a gentle warm-olive color shift, mild softness from the lens. It must look like a real film photograph, not a clean digital render.
Avoid: changing any package shape, size, proportion or design, a widened or flattened box, blurred, melted, smeared or warped letters, altered or misspelled text, 보뇌 or 국내틴 or any changed Korean syllable, the stack filling most of the frame, tight cropping, the jar near the top edge, the box near the bottom edge, a smooth, clean, noiseless image, airbrushed, plastic or waxy surfaces, flawless glass, products lit brighter or sharper than the scene, hard specular highlights, a pasted-on or cut-out look, a sharp background, a visible horizon, a digital, HDR or CGI look.
📹 Seedance 2.5
Reference image: the aram package stack on a dark olive backdrop: a printed paper box at the bottom, a labeled steel can tilted on top of it and a labeled glass jar of chestnuts balanced on top. The final frame must match the reference image. Vertical 9:16, 4 seconds.
KEEP THE IMAGE IDENTICAL, highest priority: the composition, framing, aspect ratio, package shapes, proportions, designs, colors, color grading and backdrop stay exactly as in the reference. Every label and letter stays sharp and unchanged in every frame: box Bonui Chestnuts / aram; can and jar Bonui Chestnuts / aram / 아람보늬밤조림 / 밤(국내산) 60% | 300 g (720 kcal).
CAMERA: locked-off, completely still. No pan, no tilt, no zoom, no rotation, no shake.
LIGHT SEQUENCE:
- 0 to 0.8 seconds: darkness. The scene is almost black, only the faint silhouettes of the stack barely visible against the dark olive backdrop, heavy film grain in the dark.
- 0.8 to 2.2 seconds: the light comes on slowly and softly, like a warm lamp warming up, with one or two gentle, dreamy flickers. The glow blooms first through the jar, the syrup and chestnuts lighting up warm amber from within, then the light spreads down over the can, the box and the glowing olive floor, reaching the same brightness and falloff as the reference.
- 2.2 to 4 seconds: the lit areas shimmer and twinkle softly: small glints travel slowly along the rim of the jar lid and the curve of the glass, sparkle across the brushed steel rim and ring pull of the can, and the syrup inside the jar gleams with tiny shifting highlights. Soft halation breathes around the brightest glints. Dreamy, warm and magical, yet real.
SUBTLE WOBBLE: as the light comes on, the can and the jar sway very slightly, a delicate, barely-there tremble, as if the balanced stack is settling: the can rocks a tiny amount on the edge of the box, and the jar rocks separately on the can, slightly out of sync with it. The box at the bottom stays completely still. Movements are tiny, slow and soft, never more than a few millimeters, and both come to rest in exactly the reference positions. Shapes and labels never change while they move.
The twinkles come only from real reflections on the glass, steel and syrup already in the scene. Natural analog film grain flickers over the whole frame.
Do not add anything that is not in the reference: no floating particles, stars, glitter, bokeh orbs, light rays, lens flares, magic dust, hands, lamps, new objects, text or logos. No large or fast movement, no falling or sliding packages, no box movement, no warping or melting labels or letters, no strobe or harsh flashing, no overexposure, no change of composition, colors or backdrop, no camera movement.
📹 Seedance 2.5
Reference image: a top-down photo of the aram glass jar lying on a hand-knitted patchwork blanket with five knitted chestnuts around it. The final frame must be identical to the reference image. Vertical 9:16, 4 seconds.
STYLE, highest priority: handmade stop-motion animation, shot frame by frame at about 12 frames per second, with the slightly choppy, tactile rhythm of real stop-motion. Each knitted chestnut moves in small steps between frames, as if repositioned by hand off-camera. The hands are never visible.
CAMERA AND LOOK: locked-off top-down camera, completely still. No pan, no tilt, no zoom, no rotation, no shake. The same framing, warm light pool, deep dark edges, colors and analog film grain as the reference in every frame. The light stays constant.
THE JAR: lies in its place from the first frame to the last, completely still and unchanged. Its label and text stay sharp and readable in every frame: Bonui Chestnuts / aram / 아람보늬밤조림 / 밤(국내산) 60% | 300 g (720 kcal).
THE BLANKET: stays unchanged, except for tiny dents where a knitted chestnut lands that relax again.
SEQUENCE:
- 0 to 0.4 seconds: only the jar on the blanket. No knitted chestnuts yet.
- 0.4 to 3.3 seconds: the five knitted chestnuts from the reference hop into the frame one by one from the nearest frame edge, each in two or three small, bouncy stop-motion hops, turning slightly with each hop, until it lands exactly in its place from the reference. On each landing it squashes a little and pops back to its round shape. They enter in turn, slightly overlapping in time: first the terracotta teardrop at the upper left, then the black cherry one with the cream patch at the upper right, then the dark walnut-olive one at the left, then the olive teardrop at the lower right, and last the black cherry one with the fuzzy cream cap at the bottom. The last one gives a tiny wiggle when it arrives, as if settling in.
- 3.3 to 4 seconds: everything holds still in exactly the arrangement of the reference.
The five knitted chestnuts keep exactly the same shape, colors, patches, stems, seams and yarn texture as in the reference in every frame; only their position and angle change between frames. Playful, charming, cozy and handmade.
Do not add anything that is not in the reference: no visible hands, no new chestnuts or objects, no particles, sparkles, light flares, text or logos. No smooth digital motion, no motion blur trails, no chestnuts passing through the jar or each other, no flying above the blanket, no morphing or melting yarn, no change of the jar, label, blanket, colors or lighting, no camera movement.
📹 Seedance 2.5
Reference image: a studio still life of three chestnuts balanced in a vertical stack on a dark-to-light gradient backdrop: a raw chestnut in its shell at the bottom, a black cherry knitted chestnut in the middle and a glossy bonui-bam in syrup on top. Animate only this exact scene. Vertical 9:16, 4 seconds.KEEP THE IMAGE IDENTICAL, highest priority: the composition, framing, aspect ratio, scale of the stack, colors, color grading, contrast, light and backdrop gradient stay exactly as in the reference in every frame. No reframing, no cropping, no color shift, no brightening or darkening.
CAMERA: locked-off, straight-on, completely still. No pan, no tilt, no zoom, no rotation, no shake.
SYRUP MOTION, slow and heavy like warm, thick, dark amber syrup:
- 0 to 0.8 seconds: a thin, glossy ribbon of dark amber syrup enters from above the top edge of the frame and falls straight down onto the very top of the bonui-bam. Its source is never visible.
- 0.8 to 2.8 seconds: the ribbon keeps pouring in a slow, steady, unbroken stream. On impact it spreads over the crown of the bonui-bam and runs down its sides in several slow rivulets, the existing drips on its lower edge growing longer and heavier, then reaching the knitted chestnut and slowly soaking into the yarn so the wool darkens and glistens where it lands.
- 2.8 to 4 seconds: the stream thins out and stops, leaving the last drops hanging.
THE STACK WOBBLES, each chestnut separately, highest priority: the three chestnuts are separate objects simply resting on each other, not joined. They never move together as one rigid piece.
- BOTTOM, the raw chestnut in its shell: completely still the whole time. It does not move, rock or shift at all.
- MIDDLE, the knitted chestnut: as the syrup weight lands above it, it rocks on top of the raw chestnut, tilting toward the left, then back, sliding very slightly on its contact point, its soft body squashing a little on the tilting side.
- TOP, the bonui-bam: it rocks on its own on top of the knitted chestnut, in a different direction and rhythm, tilting toward the right and forward while the knitted chestnut tilts left, out of sync with it, as if about to roll off.
The two upper chestnuts sway against each other like a wobbly tower on the verge of collapsing, with two or three uneven, slightly growing swings, a breathless moment where the top one nearly falls, then each one catches its balance and settles back. At the end, all three come to rest in exactly the positions of the reference. Nothing ever falls off.
The shapes, sizes and textures of all three chestnuts never change while they move. The hanging drops swing with the movement of the chestnut they hang from.
LIGHT AND ATMOSPHERE: the same light as the reference. The falling ribbon and the drops glow warm amber where light passes through them, with small moving glints. Natural analog film grain flickers subtly over the whole frame. Quiet, slow, playful, sensual food editorial, realistic physics, real-time slow motion.
Do not add anything that is not in the reference: no hand, spoon, bottle, jar or any visible source of the syrup, no new chestnuts, splashes, flying droplets, puddles on the floor, steam, particles, sparkles, light flares, text or logos. No chestnuts moving together as one rigid block, no movement of the bottom chestnut, no chestnut actually falling off, no large or fast swings, no chestnut sliding off, no morphing shapes, no syrup flying sideways, no change of composition, aspect ratio, colors, backdrop or lighting.
📹 Seedance 2.5
Reference image: a top-down photo of the aram box lying in the center of a dense bed of real chestnuts and handmade knitted chestnuts. The final frame of the video must be identical to the reference image. Vertical 9:16, 4 seconds.CAMERA: locked-off top-down camera, directly above, completely still. No pan, no tilt, no zoom, no rotation, no shake. Same framing, lens, light and film look as the reference from the first frame to the last.
THE BOX: the box lies in the center from the very first frame, completely still, never moving, bouncing or changing. Its artwork and text stay exactly as in the reference: Bonui Chestnuts / aram, sharp and unchanged in every frame.
OPENING, 0 to 0.5 seconds: only the box on a dark, warm, near-black surface, softly lit, with the same pool of light as the reference.
FALLING, 0.5 to 3.2 seconds: the real chestnuts and knitted chestnuts from the reference fall straight down from above the camera, one after another and then in a quick cascade. Because the camera looks straight down, each chestnut first appears large and soft, out of focus near the lens, then shrinks and sharpens as it drops toward the surface. Real chestnuts land with a small, hard bounce and a short roll; knitted chestnuts land softly with a gentle squash and no bounce. They pile up around the box in two or three layers, nudging each other into place, filling the frame from the center outward until no surface is visible. No chestnut lands on the box's text.
SETTLING, 3.2 to 4 seconds: the last few chestnuts settle with tiny wobbles, then everything comes to rest in exactly the arrangement of the reference image. Hold the final composition, still.
Motion feels real and weighty, with natural gravity, slightly slowed for elegance. Same warm light, deep shadows and visible analog film grain throughout.
Do not add anything that is not in the reference: no hands, no other objects, no leaves, dust, particles, sparkles, splashes or light flares, no text or logos. No chestnut passing through the box or through another chestnut, no floating or flying sideways, no morphing shapes, no change of colors, lighting or box design, no camera movement.